English (United Kingdom) 
Italiano (IT) 
who I AM
Francesco Verginelli was born in Rome on February 2, 1977.
After completing high school in the scientific field, he specialized in 3D graphics at the Quasar Institute in Rome. He obtained Autodesk certifications with authorization to teach Autodesk software such as Autocad and 3D Studio Max. He is an expert in 3D modeling, advanced lighting, texturing, and design.
At the young age of 21, he joined the Italian National Research Council (CNR).
He has been studying music and playing the guitar since adolescence. Passionate about acoustic guitars, after visiting the Taylor Guitars factory in El Cajon, he decided to pursue a career as a luthier in 2010. For just over a year, he apprenticed at the workshop of Master Pier Luigi Panfili, the current Master of the Roman Academy of Lutherie, building two acoustic guitars.
Being an avid ukulele player, he decided to build one for himself in 2011. This ukulele, a Kasha Tenor model in Hawaiian koa, has never been put up for sale and is still in his possession.
From that moment, he was struck by a great passion for this instrument and decided to specialize in two models: tenor and soprano. Over the years, he has developed his personal Tenor X-bracing project, which is constantly evolving.
Although his main focus is on ukulele construction, he also builds other types of acoustic instruments such as basses, guitars, and various prototypes.
His production typically involves crafting 4 or 5 instruments per year.
The Building Philosophy
"...woodworking is the art and skill of creating objects, works, or structures..."
In this brief description, I will try to express my construction philosophy. I believe it is crucial to fully understand my instruments.
My approach to construction has always remained the same since I started. Over time, I have simply gained a more concrete understanding of some processes that were previously instinctive and partly unconscious.
Throughout the years, I have undoubtedly refined a working method by honing the instinctive part, which has been prominent since the beginning. I continue to strive to find a balance between method and instinct, giving due importance to both components.
I build one instrument at a time, focusing on it as if it were the only one, with the aim of creating an object that represents me in that period of my life. In a way, a relationship is formed between me and the material, to which I, through construction, try to imprint my character.
Every detail of my instruments is defined and crafted by hand. By choice and in coherence with my construction philosophy, I do not use computer numerical control (CNC) technologies.
I love to sketch each instrument before making it. Even if it's very similar to the previous one, I prefer to have templates of the current model to have total control over the construction I am about to undertake.
To create an instrument, including the design, I spend approximately 220 hours of work.
These choices may limit my annual production, which revolves around 4 or 5 instruments.
I exclusively use woods of the highest quality, of which I always maintain a small stock, allowing me to choose pairings on the spot. Just to name a few: the finest red spruce from Val di Fiemme, tropical mahogany, Hawaiian koa, well-seasoned rosewood, and others.
I employ two types of finishing:
- French polishing with shellac: This is my absolute favorite for many reasons. It's natural, highly aromatic, visually appealing, and extremely smooth to the touch.
- Oil with wax: While it's certainly quicker to apply compared to the former, it has excellent visual impact as it brings out the wood's grain optimally.
Crafting instruments, particularly ukuleles, is my profound passion.
It's an extensive journey that will last a lifetime, during which I will have the opportunity to learn something new in every work session.
My aim is to imprint my character on each instrument, representing me even after my existence.
Ukulele Making Academy
UMA LAB - Lutherie School
In September 2022, the UMALAB - Ukulele Making Academy school opens in Rome.
The school is born out of the need to create a cultural gathering point inspired by lutherie, where the ukulele takes center stage.
Diario di costruzione di un ukulele soprano
In 2022, he publishes the "Construction Diary of a Soprano Ukulele," edited by Volonté&co. (Only in Italian).
This manual provides a detailed account of the entirely handmade construction of a soprano ukulele: technical details, hundreds of photographs, and in-depth videos.
"... the goal is to try to imprint one's character on an artifact that will represent us even after our existence..."
The Building Philosophy
"...woodworking is the art and skill of creating objects, works, or structures..."
In this brief description, I will try to express my construction philosophy. I believe it is crucial to fully understand my instruments.
My approach to construction has always remained the same since I started. Over time, I have simply gained a more concrete understanding of some processes that were previously instinctive and partly unconscious.
Throughout the years, I have undoubtedly refined a working method by honing the instinctive part, which has been prominent since the beginning. I continue to strive to find a balance between method and instinct, giving due importance to both components.
I build one instrument at a time, focusing on it as if it were the only one, with the aim of creating an object that represents me in that period of my life. In a way, a relationship is formed between me and the material, to which I, through construction, try to imprint my character.
Every detail of my instruments is defined and crafted by hand. By choice and in coherence with my construction philosophy, I do not use computer numerical control (CNC) technologies.
I love to sketch each instrument before making it. Even if it's very similar to the previous one, I prefer to have templates of the current model to have total control over the construction I am about to undertake.
To create an instrument, including the design, I spend approximately 220 hours of work.
These choices may limit my annual production, which revolves around 4 or 5 instruments.
I exclusively use woods of the highest quality, of which I always maintain a small stock, allowing me to choose pairings on the spot. Just to name a few: the finest red spruce from Val di Fiemme, tropical mahogany, Hawaiian koa, well-seasoned rosewood, and others.
I employ two types of finishing:
- French polishing with shellac: This is my absolute favorite for many reasons. It's natural, highly aromatic, visually appealing, and extremely smooth to the touch.
- Oil with wax: While it's certainly quicker to apply compared to the former, it has excellent visual impact as it brings out the wood's grain optimally.
Crafting instruments, particularly ukuleles, is my profound passion.
It's an extensive journey that will last a lifetime, during which I will have the opportunity to learn something new in every work session.
My aim is to imprint my character on each instrument, representing me even after my existence.
Diario di Costruzione di un Ukulele Soprano
Diario di costruzione di un ukulele soprano
In 2022, he publishes the "Construction Diary of a Soprano Ukulele," edited by Volonté&co. (Only in Italian).
This manual provides a detailed account of the entirely handmade construction of a soprano ukulele: technical details, hundreds of photographs, and in-depth videos.
"... the goal is to try to imprint one's character on an artifact that will represent us even after our existence..."